Miss Anne in Harlem : the white women of the Black Renaissance / Carla Kaplan.
- 2 of 2 copies available at SC LENDS.
0 current holds with 2 total copies.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Status||Due Date|
|Beaufort - Hilton Head Branch||974.712 KAP (Text)||0530009892791||Adult Non-Fiction||Available||-|
|Beaufort - St. Helena Branch||974.712 KAP (Text)||0530009744034||Adult Non-Fiction||Available||-|
- ISBN: 9780060882389
- Physical Description: xxxi, 505 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm
- Edition: First edition.
- Publisher: New York, NY : Harper, 
|Bibliography, etc. Note:||
Includes bibliographical references (pages 357-478) and index.
|Formatted Contents Note:||
"A white girl's prayer" in "The poet's page," The Crisis -- Introduction: In search of Miss Anne -- 1. Miss Anne's world -- Black and white identity politics -- An erotics of race -- 2. Choosing blackness: sex, love, and passing -- Let me people go: Lillian E. Wood passes for Black -- Josephine Cogdell Schuyler: "The fall of a fair confederate" -- 3. Repudiating whiteness: politics, patronage, and primitivism -- Black souls: Annie Nathan Meyer writes Black -- Charlotte Osgood Mason: "Mother of the Primitives" -- 4. Rewards and costs: publishing, performance, and modern rebellion -- Imitation of life: Fannie Hurst's "Sensation in Harlem" -- Nancy Cunard: "I speak as if I were a Negro myself" -- Epilogue: "Love and consequences."
This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
Search for related items by subject