The bell rang / James E. Ransome.
- 17 of 21 copies available at SC LENDS.
0 current holds with 21 total copies.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Status||Due Date|
|AHJ - Allendale Branch||E RAN (Text)||30365101275908||Juvenile Picture Book||Available||-|
|Beaufort - Beaufort Branch||E RAN (Text)||0530006158337||Juvenile Picture Book||Available||-|
|Beaufort - Hilton Head Branch||E RAN (Text)||0530006158328||Juvenile Picture Book||Available||-|
|Calhoun - Main Library||E RAN (Text)||30102100761681||Juvenile Picture Book||Available||-|
|Dorchester - St. George Main Library||E RAN (Text)||30018005557174||Juvenile Picture Book||Available||-|
|Dorchester - Summerville Branch||E RAN (Text)||30018005743709||Juvenile Picture Book||Checked out||06/28/2019|
|Florence - Johnsonville Branch||JE R (Text)||33172006456584||Juvenile Picture Book||Available||-|
|Florence - Lake City Branch||JE R (Text)||33172006457145||Juvenile Picture Book||Available||-|
|Florence - Main Library||JE R (Text)||33172006456592||Juvenile Picture Book||Available||-|
|Florence - Olanta Branch||JE R (Text)||33172006457038||Juvenile Picture Book||Available||-|
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- ISBN: 9781442421134
- ISBN: 1442421134
- Physical Description: 1 volume (unpaged) : color illustrations ; 29 cm
- Edition: First edition.
- Publisher: New York : Atheneum Books for Young Readers, 
- Copyright: ©2019
"A Caitlyn Dlouhy Book."
A slave family is distressed when they discover their son Ben has run away.
Search for related items by subject
|Subject:||Slavery > Juvenile fiction.
Slavery > Fiction.
Fugitive slaves > Fiction.
African Americans > Fiction.
Family life > Fiction.
The Horn Book Review
The Bell Rang
The Horn Book
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
The bell rings, / and no sun in the sky. / Daddy gathers wood. / Mama cooks. / We eat. Ransome paints a heartbreaking picture of an enslaved family existing within the confines of an inhumane institution. Using deceptively simple, repetitive verse, a young enslaved girl narrates her familys daily activities over the course of a week, beginning on Monday. Every morning, the bell rings, signaling the start of a long, arduous day of labor for her mother, father, and older brother, Ben. Every day, the bell rings; every day, Ben tells her goodbye. Until Thursdaywhen her family discovers that Ben has run away, leaving them simultaneously grieving Bens absence, praying for his safety, and hoping for his freedom. When the two boys Ben fled with are apprehended, returned to the plantation, and whipped, the question of what happened to Ben hangs in the balance. The author succeeds in communicating the myriad and complex emotions of individuals choosing to flee chattel enslavement and the aftermath for those left behind. Through lush watercolors that expertly frame and highlight the characters, the reader is drawn equally into scenes of tenderness, joy, terror, and despair. Without sugarcoating or minimizing the complexity of human emotion, the illustrations communicate what words cannot: the tender love of family, the cruelty of enslavement, the emptiness left after the loss of a loved one, and the ever-present dilemma of self-emancipation for those who lived in bondage. The books open-ended final page will leave the reader with more questions than answers. monique harris January/February 2019 p 82(c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
The Bell Rang
Copyright (c) Kirkus Reviews, used with permission.
A girl's family life and plantation routines are interrupted when three enslaved boys run away. Most days start the same way: The bell rings, Daddy collects wood, Mama prepares breakfast, they eat together. The narrator's brother, Ben, her parents, and the other slaves go to the fields while the girl stays with the young ones to play. On Wednesday, Ben surprises her with a handmade doll. On Thursday, Ben and his two friends are gone. There are tears; the narrator's parents are beaten, and other slaves look mad or sad. On Friday, the girl cannot eat or talk. On Saturday, there are horses and dogs; Ben's friends have been caught, but there is no sign of Ben. "Out comes the whip. / All night we cry and pray for Ben." On Sunday, Big Sam preaches near the creek, "of being free. / We sing. / We hope. / We pray / Ben made it. / Free like the birds. / Free like Moses. / No more bells." The final spread shows the girl looking out, with the single word "Monday" and a bird flying away on the endpaper. The richly textured paintings make masterful use of light and space to create the narrator's world and interior life, from the glimmer of dawn as her father chops wood to her mother's fatigue and her own knowing eyes. Ransome's free-verse text is as accomplished as his glowing acrylics.With spare text and gorgeous illustrations, this work represents a unique and engaging perspective on enslaved families. (author's note) (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.
The Bell Rang
From Booklist, Copyright (c) American Library Association. Used with permission.
*Starred Review* Every dawn begins the same for the enslaved family of four featured in this book: The bell rings, / and no sun in the sky. / Daddy gathers wood. / Mama cooks. / We eat. The father, mother, and son go to work in the fields, while the daughter spends her days with the younger children. One morning, her brother presents his sister with a handmade doll, a kiss, and a good-bye. The next day, the family discovers that Ben has run away. Tears, fear, and sorrow overtake the family as they wonder about the fate of their beloved son and brother. Beautifully rendered acrylic paintings reveal the closeness of the family, whose pleasure at being together is evident. The richly colored vignettes in Coretta Scott King Award-winning Ransome's single- and double-page-spread paintings clearly picture the emotions felt by the family and the day-to-day monotony of their lives. Swallows are seen flying on the endpapers and over the Sunday prayer gathering, signaling the freedom the family hopes Ben has achieved. The last illustration shows the girl looking at the detested bell, leaving readers to wonder if she is thinking of the day she might choose to run away also. A powerful tale of slavery and its two terrible options: stay or run.--Maryann Owen Copyright 2018 Booklist
Publishers Weekly Review
The Bell Rang
(c) Copyright PWxyz, LLC. All rights reserved
Bold, painterly spreads by Ransome (Before She Was Harriet) give shape to the lives of a slave family whose days are ruled by the overseer's bell. On Monday, "The bell rings,/ and no sun in the sky./ Daddy gathers wood./ Mama cooks." Daddy; Mama; their son, Ben; and the narrator, Ben's little sister, sit close and share a meal. On Wednesday, Ben gives his sister a kiss and a handmade doll, whispering "Good-bye" before walking away with two companions. Thursday, the family realizes that Ben is really gone. "Overseer comes/ to our cabin./ Then dogs come./ Overseer hits Mama,/ then Daddy." The other boys are found, but not Ben: "We pray/ Ben made it./ Free like the birds." In an image of startling force, a flying swallow is seen darting off the last, blank page. Stories about escaping slaves often follow the journeys of those leaving; this one imagines what life was like for a family left behind. The recurring image of the bell throughout each day underscores the way slaves' lives were continually regimented and surveilled. Ransome's gracefully sculpted figures give Ben's family heroic stature; his story makes their hunger for freedom palpable. Ages 4-8. (Jan.) Â© Copyright PWxyz, LLC. All rights reserved.
New York Times Review
The Bell Rang
New York Times
March 11, 2019
Copyright (c) The New York Times Company
BLACK LEOPARD, RED WOLF, by Marlon James. (Riverhead, $30.) James, who calls his new epic fantasy an African "Game of Thrones," conjures the literary equivalent of a Marvel Comics universe in this novel (the first of a projected trilogy) about the search for a missing heir. THE DREAMERS, by Karen Thompson Walker. (Random House, $27.) In Walker's second novel, written with symphonic sweep and generous attention to parent-child relationships, panic spreads as swiftly as the sleeping sickness that's paralyzing a small California town. UNEXAMPLED COURAGE: The Blinding of Sgt. Isaac Woodard and the Awakening of President Harry S. Truman and Judge J. Waties Waring, by Richard Gergel. (Sarah Crichton/Farrar, Straus & Giroux, $27.) Gergel's riveting history examines a 1946 legal case that spurred the federal government to act in defense of racial equality at the dawn of the civil rights movement. MAID: Hard Work, Low Pay and a Mother's Will to Survive, by Stephanie Land. (Hachette, $27.) In her unstinting memoir - a portrait of working-class poverty in America - Land scrapes by on $9 an hour cleaning houses to support herself and her young daughter. THE UNWINDING OF THE MIRACLE: A Memoir of Life, m Death, and Everything That Comes After, by Julie gC"8 Yip-Williams. (Random House, $27.) Written before her 147 death last year from cancer at the age of 42, YipWilliams's book is a remarkable woman's moving exhortation to the living. AN INDEFINITE SENTENCE: A Personal History of Outlawed Love and Sex, by Siddharth Dube. (Atria, $28.) Dube, an activist for H.I.V. patients in India, here recounts growing up gay in a society that would not accept him. Confronted with the AIDS epidemic, Dube recognized its link to an "essential longing for sex and love, and with being outlawed, shamed and persecuted." THE BELL RANG, written and illustrated by James E. Ransome. (Atheneum, $17.99; ages 4 to 8.) Through the eyes of a slave, this picture book offers a bittersweet slice of plantation life in which innocence, familial love and safety are juxtaposed with pain, loss and the resilience of the enslaved. EINSTEIN'S SHADOW: A Black Hole, a Band of Astronomers, and the Quest to See the Unseeable, by Seth Fletcher. (Ecco/HarperCollins, $26.99.) What does a black hole look like? The scientists Fletcher profiles aim to produce the first real picture. THE ROOTS OF RAP: 16 Bars on the Pillars of Hip-Hop, by Carole Boston Weatherford, illustrated by Frank Morrison. (Little Bee, $18.99; ages 4 to 8.) Hip-hop's origins in jazz, poetry and urban culture come alive in this picture-book tribute. The full reviews of these and other recent books are on the web: nytimes.com/books